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BROADSIDES
All broadsides and posters feature hand-set type with wood engravings by Gaylord Schanilec unless otherwise noted. Printers proof copies, though in good condition, may not be perfect.  

Joyce Carol Oates, For a long time . . . 2019. One of 225 copies printed for the College of Saint Benedict Literary Arts Institute in the winter of 2019. Signed by the author. $100.

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Robert Bly, Keeping Our Small Boat Afloat, 2019. One of 100 copies printed on Arches paper in the winter of 2019 for literary Witnesses Signed by the author. OUT OF PRINT.

Edwidge Danticat, A New Sky, 2017. 12 x 18 inches. A prayer written from the perspective of the author's late mother, from: The Art of Death: Writing the Final Story, published by Graywolf Press. Hand-set and printed by Gaylord Schanilec in an edition of 150 possible copies for the College of Saint Benedict Literary Arts Institute in the autumn of 2017. The paper is Saint Armond Handmade, and the type Blado italic with Baker titling, a new face designed by Russell Maret and cast in metal by Edward Rayher. $60.

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Kimberly Blaeser, Rattle, 2016. 12 x 18 inches. The paper is Saint Armond Handmade, and the type Bembo and Piranesi Italic. The footprints were taken from the author's feet, and printed from polymer plates. One of 150 possible copies signed by the author. $80. Read more about Kimberly Blaeser
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Mark Vinz, A Necessary Solitude, 1995. 13 x 19 inches. Printed for the occasion of the 36th Midwestern Exhibition at the Rourke Art Gallery Museum. The paper is Arches text, and the type Goudy Catalogue with Goudy Hand-tooled Italic titling. One of 160 copies signed by the author and the artist. The flattened-dew footprints on the dock showed the artist his brother Clayton had gotten out fishing before him. $80.
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Joyce Sutphen, Crossroads, 1996. 11 x 15 inches. Printed on the occasion of Sutphen's reading at the Hungry Mind on April 17, 1996. The paper is Van Ghelder, and the type Bodoni, with Old English titling. OUT OF PRINT.
Crows, Ninja Press, 2016. 11 x 17 inches. The paper is Frankfurt White, and the type Meridien Light and Medium. Designed and printed by Carolee Campbell. One of 75 copies signed by the author. $75.
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Gaylord Schanilec, Eviction of the Poles, 1985. 9 x 10 inches. The paper is Rives, and the type Centaur. Printed by Gaylord Schanilec under the direction of Gerald Lange, in preparation for the printing of High Bridge (Midnight Paper Sales, 1987). One of 75 copies. $50.
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Flyway Film Festival poster, 2011. 13 x 18 inches. Ink jet printed on a quality heavy paper. One of 30 signed copies. $180.
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Oak Knoll Fest 1994: A Book Arts Day. 10 x 15 inches. The paper is Rives BFK and the type Lydian. Edition size unknown. Signed by the artist. $120.
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James Galvin, Little Dantesque, 1999. 10 x 13 inches. Printed on the occasion of Galvin's reading at the Hungry Mind on October 29, 1999. The paper is Rives BFK, and the type Dante. Printer's Proof copy, signed by the author. $50.
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Oak Knoll Fest 1995: A Day of Book Arts poster. 10 x 15 inches. The paper is Arches and the types are Bodoni and Strativarious. The image was printed from the blocks originally cut for Five Short Stories by Marcel Ayme (Bird & Bull Press, 1994). One of 65 copies signed by the artist. $80.
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Ephemerella inermis Clarke Garry, Midnight Paper Sales, 2003. (Companion to Mayflies of the Driftless Region, 2005)
Dimensions: 9 x 12 inches, Zerkall Edition size: 168
Price: $65
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Alison McGhee, Winter is to be feared... Printed for the Minnesota Center for Book Arts, 2001. 11 x 14 inches. One of 144 copies signed by the author. Price: $50
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Bill Holm, A Grove in Kelduhverfi 2002. 11 x 15 inches. The paper is Rives BFK, and the type Italian Old Style. Price: $80
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Poster for the Stockholm Art Fair, Stockholm Wisconsin, 1996. 12 x 18. The paper is Rives, and the type Bernhard Gothic with Galia titling. One of 120 copies signed by the artist. Price: $80
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Sandra Benitiez, A True Story... 2002. 11 x 15 inches. The paper is Rives BFK, and the type Italian Old Style. A printer's proof copy signed by the author. Price: $60
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Edwidge Danticat, Sacred Secrets 1999. 11 x 15. The paper is Rives BFK, and the type Bernhard Gothic. A printer's proof copy. Price: $50
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Linda McCarriston, Wrought Figure 1997. 11 x 15 inches. The paper is Van Ghelder, the type Lydian, Othello titling. A printer's proof copy signed by the artist.Price: $40
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Gregory Orr, Concerning the Book that is the Body of the Beloved 2005. The paper is Rives BFK, and the type Pholiphilus, with Goudy Text titling. One of 200 copies signed by the author and the artist. Price: $80
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Mary Karr, Bayou 1996. 11 x 15 inches. The paper is Rives BFK, and the type Goudy Catalogue. A printer's proof copy. Price: $50
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Paula Woods, To Hear some folks... 1999. 11 x 15 inches. The paper is Rives BFK, and the type Lydian. A printer's proof copy signed by the author. Price: $50
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Robert Bly, The Table of Sweet Sounds 2004. 11 x 15 inches. The paper is Hahnemuhle, and the type Italian Old Style. A printer's proof copy. Price: $50
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Patricia Hampl, In a Boat on the River 2000. 11 x 15 inches. The paper is Hahnemuhle, and the type Garamond. A printer's proof copy signed by the author. Price: $80
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Saadi Yousef, O Land Between Two Rivers 2007. Translated by Ferial J. Ghazoul. The paper is Rives BFK, and the type Centaur. Printed for Mutanabbi Street Starts Here. One of 100 numbered copies signed by the artist. Price: $65
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Jim Moore, Happiness 1995. 11 x 15 inches. The paper is Rives BFK, and the type Bodoni with Bernhard Cursive titling. A printer's proof copy. Price: $40
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Paul N. Ylvisaker, Community... 1990. 11 x 14 inches. The paper is Mohawk Superfine. One of 750 numbered copies signed by the artist.. Price: $50
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Sherlock Holmes & John Bennett Shaw: The Detective and the Collector, 1994. The paper is Arches, and the type Bodoni with Molé Floret titling. Engraved while listening to the O. J. Simpson murder trial. Edition size unknown. Price: $80
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John Graber, Watching Through Three Windows Before Leaving 2007. The paper is Rives BFK, and the type Bembo with Van Crimpen Open titling. One of 150 numbered copies signed by the author Price: $40
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Kimberly Blaeser is Anishinaabe, an enrolled member of the Minnesota Chippewa tribe. She grew up on the White Earth Reservation in northwestern Minnesota, and currently teaches at the University of Wisconsin/Milwuakee. She was Wisconsin Poet Laureate for 2015-2016.

The poem Rattle is of two voices—hers, and language from a US Government/Native American treaty. Her voice is printed in black, the treaty language embossed without ink, and the footprints printed from impressions of the author's feet.